martedì 26 giugno 2012

Daytime Jolt Earthquake Pays Off For Soap: 'Santa Barbara' Wins Emmy

from "The Enquirer" - June 30, 1988



Santa Barbara,” the NBC soap opera that only four years ago introduced an earthquake into its story line to shake up the ratings, yesterday won an Emmy for best daytime drama series.

The award was the biggest surprise in yesterday’s 15th annual Daytime Emmy Awards, broadcast live from the Waldorf-Astoria in New York despite the ongoing writer’s strike.

CBS was the big winner, taking seven of the 17 awards presented. ABC and NBC each won three; syndicated shows, two; and PBS one.

Justin Deas of “Santa Barbara” captured the award for Best Supporting Actor. And to think, the hour-long soap, seen here weekdays at on Channel 3, was in such dire need of attention in 1984 that NBC decided to put a little life into the show by ordering an earthquake to destroy most of the cast.

At the time, none of the “Santa Barbara” characters “tested” very well, and none of the characters was particularly popular with viewers. The earthquake turned out to be a nice, noisy way of drawing attention to the soap opera - a strategy whose aftershocks are just now being enjoyed by the producers.

For the ninth straight year, Susan Lucci of “All My Children” did not pick up an Emmy as Best Actress in a daytime drama. Instead, the award went to Helen Gallagher of “Ryan’s Hope”.

Other winners included David Canary of “All My Children” as Best Lead Actor and Ellen Wheeler from the same soap as Best Supporting Actress. “All My Children,” created by Bryn Mawr’s Agnes Nixon, also won an award for best writing.

In a deeply affecting moment, Wheeler spoke about her character’s experience with AIDS. “I am reminded that if we work together, we can accomplish something” she said. “We can entertain people and teach them something at the same time”.


Sesame Street
” once again received the award for Best Children’s Show and for Best Writing on a Children’s Show. In accepting the prizes, Sonia Manzano (Maria) and Emilio Delgado (Luis) announced that next year, on “
Sesame Street
” 20th season, Luis and Maria will have a baby.

And you thought sex was on soap operas only.

Daytime soaps, children's programming, talk shows and game shows were nominated by members of the National Academy of Television Arts and Sciences.

Here is a list of the winners:


DRAMA SERIES: "Santa Barbara," NBC.

LEAD ACTRESS, DRAMA SERIES: Helen Gallagher, "Ryan's Hope," ABC.

LEAD ACTOR, DRAMA SERIES: David Canary, "All My Children," ABC.

SUPPORTING ACTRESS, DRAMA SERIES: Ellen Wheeler, "All My Children," ABC.

SUPPORTING ACTOR, DRAMA SERIES: Justin Deas, "Santa Barbara," NBC.

INGENUE, DRAMA SERIES: Julianne Moore, "As the World Turns," CBS.

YOUNGER LEADING MAN, DRAMA SERIES: Billy Warlock, "Days of Our Lives," NBC.

DRAMA SERIES DIRECTING TEAM: "The Young and the Restless," Rudolph L. Behar, Frank Pacelli, Heather Hill, Randy Robbins, Betty Rothenberg, CBS.

DRAMA SERIES WRITING TEAM: "All My Children," Agnes Nixon, Clarice Blackburn, Lorraine Broderick, Susan Kirshenbaum, Kathleen Klein, ABC.



lunedì 25 giugno 2012

NANCY GRAHN ACCEPTS THE EMMY...WITH AN OLD RESERVATION!




The Daytime Emmys showered "General Hospital" with five trophies, including best drama. The ABC soap also won for lead actor (Anthony Geary) , supporting actress (Nancy Lee Grahn), supporting actor (Jonathan Jackson)  and directing team. Here the winners:

Drama series: "General Hospital."

Lead actress in a drama series: Heather Tom, "The Bold and the Beautiful."

Lead actor in a drama series: Anthony Geary, "General Hospital."

Supporting actress in a drama series: Nancy Lee Grahn, "General Hospital."

Supporting actor in a drama series: Jonathan Jackson, "General Hospital."

Younger actor in a drama series: Chandler Massey, "Days of Our Lives."

Younger actress in a drama series: Christel Hhalil, "The Young and the Restless."

Drama series directing team: "General Hospital."

Drama series writing team: "Days Of Our Lives."


But…there is no respecting drama without drama:

In fact, Nancy Grahn was not present at the ceremony and Finola Hughes, who announced the category, accepted the award on her behalf. This year everything has gone well, but last year Nancy Grahn twitted:

Let me start by saying, it is very hard to get me to lose my sense of humor. Sunday night, I had none until after it was all over and I finally saw my friend Michelle Stafford and said, "What the F#*K was that?” That is the summation of my experience from the moment I put my expensively adorned feet on that foot long red carpet, until the Tylenol PM kicked in and I woke up the next morning.

"What the F#*k was that?" can be interpreted any way you choose and that will be up to you, let your imagination take flight. To say any more would be unproductive and quite frankly, self-serving. However, to not say anything at all would fool no one, due to the fact that I am ridiculously transparent and most of you can read my mind anyway.

I will, however, share this one thing with you. Lexi Ainsworth's performance in her submission reel was incomparable. I've been acting for a long time and we all wish we had an Emmy reel that spot on. It would have, in my opinion, been unbeatable in any category.

I was so sure that Lexi would win, that I urged her to prepare her speech so she would say exactly what she wanted because she would remember the moment forever. I assured her she would win and because she looks up to me, she unfortunately believed me. I love this child and not only witnessed her performance, I viewed every single reel in her category. Because of what I believe any trained actor could only see as a slam dunk, I unknowingly set up my TV baby to get unjustifiably crushed.

Because of her class, intelligence and beautiful heart, Lexi handled her loss with maturity and grace. I on the other hand did not. I got up and left the room. I was misbehaved, pissed off, and anything but graceful. I got outraged for Lexi who should've been, but had more maturity and clearly more dignity in the moment than I did.

My Achilles heel is my kids, on TV or not, and I don't handle it well when they are not treated fairly, especially if I created the expectation that they would be. Why did I ever say anything to her besides you should win and I hope you do? Why would I have faith in a judging system that could go so awry?

The judging system has had to be continually adjusted for the Daytime Emmy's to ensure the voting process is equitable. In my opinion, a blue Ribbon panel is the only way to prevent what appears to me to be results that undermine the integrity of what an Emmy should mean. We must do better.

And now for the good news; I am genuinely excited about what Garin Wolf , Ron Carlivati and Jill Phelps are bringing to the new and better GH. They have such an investment in all of you as an audience. Please start watching and keep watching. We have no plans to go anywhere. Just sit back, and let us entertain you. You are loved and appreciated.

Nancy Lee

Dear Ms. Grahn, I admire your courage and your intellectual honesty and at the same time I am excited about the recognition you received! It is a bit also my fault if you've won, I had predicted this.

Congratulations and thanks for your critical voice.

Pier

mercoledì 20 giugno 2012

“RAISING HOPE” paid tribute to “SANTA BARBARA"




One of my favorite TV series (Raising Hope) has paid tribute to my absolute favorite series of all time (Santa Barbara).
Raising Hope is a television comedy program first aired on September 21, 2010, on Fox.
This is the plot: a 23-year-old single man (Lucas Neff) must raise his infant daughter, conceived from a one-night stand, with the help of his flawed family (Martha Plimpton as Virginia Chance, Garret Dillahunt as Burt Chance, Cloris Leachman as Maw Maw) after they find out the baby’s mother (who has killed multiple boyfriends) was sentenced to death and electrocuted when the baby was only six months old.
Raising Hope has received positive reviews from critics. The show’s first season received an average score of 75 out of 100 on Metacritic, meaning it received “generally favorable reviews.”
Tribute which I talk about occurred during the second season of the series, episode 11 titled “Mrs. Smartypants”. Enjoy it!






martedì 19 giugno 2012

Robin Wright Loses `Sure Thing,` But Ends Up `Princess`

Chicago Tribune - October 23, 1987



Three years ago, director Rob Reiner was auditioning young actresses to costar in “The Sure Thing.” Among them was Robin Wright - beautiful, vulnerable, regal and young.

That was the problem. I was too young,” she says. “I didn`t know anything about auditioning for a movie. I didn`t know how to act on an audition. I was supposed to be playing a confident woman, and I was scared stiff.”


She didn`t get the part. (The film was a modest success, but today hardly anyone remembers the name of the female lead - Daphne Zuniga.)

Fast-forward two years.

Reiner is looking for someone “beautiful, vulnerable, regal and young” to play the luscious Princess Buttercup in his long-planned movie version of William Goldman`s whimsical “The Princess Bride.” He auditions more than 500 young women. But as he likes say, “the moment Robin walked into my office, I knew she was my Buttercup.”

Wright, of course, didn`t think she had a chance. “I kept on remembering my audition for `The Sure Thing,`”  she says. “I knew there were 500 other girls dying to play the part. I had heard that Rob wanted someone who looked like Julie Christie in `Doctor Zhivago.` I didn`t quite think I fit the bill.”

Nevertheless, she captivated Reiner. And, in a personal appearance, she captivated audiences at the Toronto Film Festival, where “The Princess Bride” was one of the most popular films.



The hardest part was getting over the fact that I was working with such people,” she says. “Mandy Patinkin won a Tony for `Evita.` Wallace Shawn starred in `My Dinner With Andre` and plays in all the Woody Allen movies. And here I am, best known for my work in `Santa Barbara,` where all I do is try hard not to make my character seem like a drip.

But Rob was so reassuring. He kept telling me to just play myself, only use an English accent. I would have liked to have had a few laughs with my role, but he said never to be funny. He wanted the rest of the cast to be funny, but not me. Just be mellow, he kept telling me. Be mellow.”


Wright was born in Dallas, but hardly remembers the city.

We moved when I was 5,” she says. “I honestly have no idea what Dallas was like. My mother worked for Mary Kay Cosmetics, and we moved around a lot, mostly in the South at first. It wasn`t a bad life. We got a new pink Cadillac every few years, so why complain about moving around? We stayed the longest in Santa Monica (Calif.)-about seven years.”

Her parents divorced when she was a small child. To play the title role in “The Princess Bride,” she studied the voice of her English stepfather, Andy Carmichael.

She started modeling when she was 14 after an agent saw her skating and was impressed by her poise.

I never went to college, although now I would love to go to night school,” she says. “But I thoroughly hated modeling. It`s such a chauvinistic world. Women are treated like commodities. They sell their looks. All a model is ever told is to put her clothes on and shut up. I did it for the money-and to see the world.”

Does acting in “Santa Barbara” prove more emotionally rewarding than modeling?

Oh, yes! In `Santa Barbara` at least you get to converse with human beings. And they actually ask my opinion about what goes into the show. Besides, if you do a soap, you can do anything in the world. Working on a soap is so hard and so fast.”

Santa Barbara” is not Wright`s first television stint. Three years ago she played a supporting role in the short-lived, Texas-flavored series “The Yellow Rose,” which starred Sam Elliott and Cybill Shepherd.

Shepherd was then on the rebound from an unsuccessful movie career, but apparently was not humbled by the experience.

She stayed away from the supporting cast,” Wright says, grimacing slightly.

Wright is engaged to actor Dane Witherspoon, whom she describes as “a fine `80s man.”

We have no immediate plans to get married,” she says. “Neither he nor I wants to pin a label on our relationship.”






lunedì 18 giugno 2012

BREAKING NEWS: Gene Hackman, Robin Wright in local movie based on new book


The basis for a local movie in development is the provocative book - ‘Our Common-Wealth’ - which is now available on Amazon.com.

A preliminary assumption indicates that copies will sell quickly and it is predicted to be a top seller. There is speculation that the price will increase, especially with a movie in the development.

With Gene Hackman and Robin Wright in the lead roles of this satirical comedy and action adventure it will be a ‘block buster.’

We wanted to publish the book at the same time the movie is released, but there was increasing pressure to get the book in the hands of citizens before the national elections. We made a decision to place in with Amazon,’ the executive producer explained.

Can’t wait, Ms. Wright!!

TERRY LESTER JOINS "SANTA BARBARA" AS A FAN

Orlando Sentinel - October 13, 1989



NEW YORK — “I feel about unemployment the way a cat feels about a dip in the pool,” says Terry Lester, about his decision to join the NBC soap Santa Barbara as Mason Capwell after vacating his role of Jack Abbott on CBS sudser The Young and the Restless in August. Lester created the role of Abbott in 1980 and played him for the past nine years, although he left The Young and the Restless briefly in 1985.


I love to work,” says Lester. “Santa Barbara was the best offer I had at the time. Besides, I always believe in having another job before leaving the last one.”

Lester was approached about his new role as Mason Capwell on Santa Barbara shortly after his predecessor, Lane Davies, left the role last July. According to Santa Barbara producer Jill Faren Phelps, Lester was the only real candidate for the job. In fact, he was hired solely on his previous credits after the usual audition and screen test processes were waived for the daytime veteran.

It was one of those nice times to be an actor,” says Lester.

One reason Lester joined Santa Barbara was the multi-faceted character he is portraying.

I always said that the character I had been playing (Jack Abbott) was one of the greatest roles in daytime,” says Lester. “Now, I'm playing the other one. Mason is in many ways more suited to me than Jack was. I feel like I have more in common with him personally. Privately, I read a lot and I'm a musician. Those were things Jack never got around to doing. I'll probably be able to use more of myself in this role than I've ever been able to do before.

Lester is also a great fan of Santa Barbara and thrilled to have been granted the chance to work with its talented cast.


I’ve been watching Santa Barbara for the past year,” says Lester. “I think it’s going to be the next great show on daytime as soon as the word gets spread a little further and more people become aware of it. Some of my favorite actors are on this show including Nancy Grahn (who plays Lester's on-screen wife Julia Capwell), A. Martinez (Cruz Castillo), Marcy Walker (Eden Castillo) and Robin Mattson (Gina Timmons). I could go on and on. What actor doesn't want to be on a great show with great actors and great writing?

Several months ago, I heard from Lane through a mutual friend,” says Lester. “He was doing the play, Man of La Mancha at the time and needed some relief. Lane sent word to me asking whether or not I might want to step in for him. It was just about the same time we the Santa Barbara producers and Lester had started talking about my coming over to Santa Barbara. It’s pretty ironic how the whole thing worked out.”

venerdì 15 giugno 2012

"SANTA BARBARA" IS PARADISE TO STEVENS

Orlando Sentinel - January 26, 1990


1989
NEW YORK — “After 30 years as an actress, I feel as if I have ventured through the looking glass into a whole new world,” says veteran film and television star Stella Stevens while describing her first-time starring role in daytime television as Phyllis Blake on Santa Barbara. “Here I am acting for a whole new world of people who might not ever have seen my work before.”

Stevens joined the cast of Santa Barbara last November as the ostentatious con-artist mother of Gina Timmons (Robin Mattson) and Mack Blake (Steve Bond). With an array of credits under her belt, including the nighttime drama Flamingo Road and the films The Poseidon Adventure and The Nutty Professor, Stevens felt an urge to tackle a medium she had never acted in before

“I’d heard rumors that a good part was coming up on Santa Barbara,” she explains. “They (the show’s producers) sent some feelers over to my manager to see if I’d be interested in joining the show.

“I told my manager to tell them I would be delighted to audition for Santa Barbara,” she continues. “I thought it might be fun and challenging to do a soap.”

After Stevens read for her test scene on Santa Barbara, the actress knew instantly that she had struck gold.

“I fell in love with Phyllis as soon as I read the script,” says Stevens. “I remember laughing out loud. I thought Phyllis sounded like a caricature of me and the roles I’ve played over the years.”


today



When Stevens auditioned at the studio, she knew that she was destined to win the role of Phyllis.

“I went in feeling I was Phyllis Blake and that everyone else was an impostor pretending to be Phyllis,” she recalls.

The powers that be at Santa Barbara signed Stevens to a two-year contract.

Stevens admits, “I was thrilled with the prospect of creating a monster with Phyllis. She’s someone that can entertain and delight people with her wit and wily ways, silly costumes and funny hairdos.”

mercoledì 13 giugno 2012

"SANTA BARBARA" MIXES HISTORY WITH SOAP WHEN IT TALKS TO SOVIETS

- From "Los Angeles Times" October 13, 1991 -



Santa Barbara” one of the few daytime soap operas ever set in a real-life city, is about to take that sense of reality a giant leap further. For three consecutive episodes beginning Friday, the NBC serial will feature interviews taped in Moscow with Soviet citizens who resisted the failed August coup.

Though other entertainment shows have filmed in the Soviet Union - “Dallas” for instance, used Moscow locales during the 1988-89 season - “Santa Barbara” is the first United States daytime soap to shoot there.

The storyline calls for Warren Lockridge, the Ernest Hemingway-esque newspaper publisher played by Jack Wagner, to jump bail in Santa Barbara, where he is a murder suspect, and journey to the Soviet Union to be at the forefront of that country’s emerging democracy. His interviews will air on the show’s fictional local television station.

The idea for this blend of fact and fiction was conceived by Bridget Dobson, “Santa Barbara’s” co-creator, co-head writer and co-executive producer (with husband Jerome Dobson), after her initial plan to tape an elaborate multi-character remote in Moscow proved too costly. That shoot, in turn, was to have celebrated the sale of the show to Soviet television: In December, it will become the first American soap to air there.

Indeed, in August the Dobsons had been in Leningrad to publicize the sale--departing a mere three hours before the coup. With the dramatic turn of events, Bridget Dobson said, “it took me one day to come up with the idea (of doing interviews). I was so in admiration of the people who resisted the coup, I had to get over there.”

Accordingly, she, Wagner, “SB” supervising producer Steven Kent and coordinating producer Eric Preven spent a whirlwind four days last month in Moscow, operating on a shoestring $ 50,000 budget.

They devoted one day to scouting locations, choosing, among others, the exterior of the Parliament building, Red Square, the sites of the fallen statues and the still-guarded encampments, and McDonald’s. (“We didn't eat there, thoughDobson said. “We ate at Pizza Hut”.)

Dobson then interviewed English-speaking Soviets who had been at the barricades, pre-screened by the Russian Television and Radio Network for the most compelling tales. The finalists found themselves on camera answering loosely scripted questions from Wagner, taped by an all-Soviet crew.

We got real stories, stories that I couldn't have fictionalizedDobson said. “They don’t think of themselves as heroes. They said they couldn’t let the gangs—that’s what they called them--take over. The one story that stands out, that makes me cry, is when Jack asked a man, “Were you afraid for your lives?” And he said, “No. But my wife and I put in our pockets (a note with) our names and address (that said), “ Tell everything to my mother”.

Then there was the young man who told the crew how he phoned to tell his mother that he planned to resist the coup, only to have her hang up on him.

And some fishermen came up the river and told the resistance, “We’re with you” and people said, “Oh good, we have a NavyDobson said. “They stayed in position and used the strong lights on their boat to light the bridge leading to the White House (the Soviet Parliament building), so that they could see if tanks were crossing”.

In the interviews, Wagner had a great deal of latitude on the questions Dobson had charted. “Things sometimes came out in his interviews that didn't come out in mine” she said.

Wagner, who joined SB only in July after several years on General Hospital, agreed: “Everything was basically spontaneous. I really wanted them to feel I was asking questions unrehearsed. Once I got an answer, I could feed off of it and draw them out. I tried to make each interview its own. I asked one girl about her father and someone else about his family, which dated back to the czar”.

One of the most memorable accounts, Wagner said, came from a man who went home and told his wife that he was going to participate in the resistance. “They didn’t speak for half an hour. Then she said, “I’m going with you”. He said, “No. What about the future?”-- meaning their daughter. And she said, “That’s exactly why I’m going. For the future of our daughter”.

As of now, Dobson has no plans to repeat this ambitious undertaking in other parts of the world. “It would depend on the budget and the story” she said. “The show is not going to be a documentary”.

I’m proud that we did this” she added. “It was important to me to celebrate these people, to celebrate their freedom. 'Entertainment Tonight' was there and said, “Isn't it lucky for them to be on American television?” I feel just the opposite. We’re the lucky ones”.






lunedì 11 giugno 2012

EXCLUSIVE AND UNUSUAL INTERVIEW WITH MICHAEL BRAINARD (Ted Capwell #2 on SB)

Today I’m presenting to you the interview that Michael Brainard has granted exclusively to Santa Barbara Blog. He starred on NBC’s soap opera Santa Barbara as the second Ted Capwell. He portrayed the role from 1991 to 1993. He also portrayed Dr. Jake Martin on an ABC soap, All My Children, from 1988 to 1991, prior to joining Santa Barbara. Later he starred on TV series like Silk Stalkings (1994), Family Law (2000), American Heiress (2007) and on movies like Invincible (2006). In 2011 he acted on Gregori J. Martin’s movie “Sebastian”, in addition to having starred on several short movies.



You came to Santa Barbara in October 1991 and you remained until the end. Can you tell us about your audition?

Of course, before SB I worked on AMC for three years. AMC was in New York City, so I moved back to L.A. and six weeks later I was on SB. I auditioned, had a screentest along with three other candidates, and waited. They liked me, but I guess they thought they could do better, because they continued auditioning guys after the initial screentest. A few weeks later I did a second screentest with Paula Irvine, along with another three candidates (one of them the son of Jed Allan), and a day or so later was told I was the new Ted.

In an 1991’s interview for Soap Opera Magazine you said: "I don't quite know what shape Ted will take yet but I do know that there are lots of different things I can do with him, since he's a much stronger character than Joey was." Do You still think that? Are you satisfied with the path of Ted ?

Since I had never watched SB before I got a job on it, I only knew what I was told about Ted. I think I just wanted to play a character that was a polar opposite of Joey Martin (AMC). I played Joey from High school to college age, so I wanted Ted to be a bit more worldly...in short, an adult.

Before SB, you starred on AMC. Which character do you feel more connected with? What were the differences between the two soaps? Which do you think was the most innovative soap?

I felt connected to both characters, but I certainly liked playing Ted much better. Joey didn't have hot tub scenes with his clothes on, and was never handcuffed to bedposts by beautiful women, so it was easy to enjoy Ted's world more! The differences between the two soaps were night and day, as far as I was concerned. AMC was filmed in NYC and SB in LA, a huge difference in temperament right there. My family and friends are in LA, so I was very happy to be working where I came from. It's tough to say which was the more innovative soap, as AMC has always been considered a ground-breaker on social issues over here in the States. They had Vietnam war protest storylines during the war back in the early 1970's, pretty ballsy stuff. AMC also did a storyline about abortion in the early 1970's when the U.S. supreme court was dealing with Roe vs. Wade, a seminal case in the history of the States that gave women the right to abortion. They were also the first to have a same-sex kiss, so it's tough to say SB matched up with that kind of fearlessness. However, compared to SB, AMC is as boring as hell!! SB certainly blew the lid off of soap style and it has not been matched since. The most fun I had there was determining and interpreting the humor in the script, and I was never discouraged to do so by the directors...as they would do with me on AMC.

In the beginning, Ted is very much attracted by Katrina, the typical good girl. He does not return the attentions of Lily, the typical complicated girl. But finally he ends up marrying Lily. Not before having an affair with Angela, a maneater. Maria Ellingsen, Paula Irvine and Nina Arvesen: With which of these actresses you had more chemistry?

Maria, Paula, and Nina....

Well, Paula and I were good pals, but we both felt it was like a brother-sister kind of chemistry. Maria and I were close as well and there was an ease about us, very comfortable in close space. She has an intimacy to her acting that I think was unmatched on SB, so it was clear that there was chemistry there. Nina didn't really think her character should be in a storyline with mine, so we had a difficult time getting close as friends. When one participant isn't willing to work at what you are presented in a script, it makes it tough to work on chemistry. That being said, I think chemistry happens despite what you, as actors, try to bring to it, and I think that was true of Nina and I. The stuff we filmed together remains some of my favorite acting work I have ever done, and part of that is due to the fact that she and I seemed to harmonize.

I had the impression that Maria Ellingsen was a bit cold and detached and in fact she was the only SB actress not to grant me an interview. Can you intercede on my behalf?

Can't help you there, big brother.

One of the differences that I think I've noticed compared to Todd McKee’s Ted, was that your Ted seemed to have a more critical look towards the family, while the first Ted was more compliant. Was this your choice or not?

Not my choice. The writers wanted to grow Ted up as much as I did, and they had control over content. I, as an actor, just did what actors do and interpreted. Ted went away and came back a person able to sustain himself away from the help of his parents, and adult.


In 1988, the Dobsons, SB creators, were locked out by the NBC studios. Following a legal battle, they were reinstated in 1991. In those three years, the soap was also damaged because of producers who did not know well the spirit of the soap. But in 1992 they left again the show. Do you remember if they left or they was fired again? How was it working with the Dobsons?

I never really knew the Dobsons. I think I met them once or twice

A true fan is very curious about all the background. It is true that this adds nothing, but this is fun. Can you tell us something more spicy: a few secrets on SB? There was some antipathy between the actors? some tension?

--I've got nothing for you here. This is a strange business. You never know who you may work with again.

In his autobiography Jed Allan said that he literally hated Wanda DeJesus (Santana), and in fact she did not seems to have an easy temperament. In your opinion, what makes her so unbearable? Do you have any anecdotes?

Wanda is a terrific flirt. On the surface she seemed serious, but that was only with the work. Like most good actors, you want to get things right...according to what you think is right. Certainly what you think is right will sometimes clash with what other actors will think is right, no? Wanda and I had a great working relationship, when she and Jed were bickering I would stay out of it. I could always get her to laugh, though. We were always having fun.

In 1992 Paul Rauch was the Executive Producer of the show and Pam Long was the Head Writer. Which are your memories of them?

Paul and Pam. Paul is a serious man. I think back in '92 he once cracked a smile!! I remember he had a couple of original Frederick Remington paintings in his office. Remington is the quintessential artist of the American west. I have always been an admirer of American western artists, I am still to this day, and when I identified those paintings to him he was much impressed. I think it went a long way in establishing a good relationship with him. He wasn't one for small talk, if you started talking about the weather he would turn heal and leave, but if you could engage him on a loftier level, you could have an amazing conversation.

Pam came aboard and immediately I started working more. She wrote the Ted/Angela story line. I would visit her in her office and encourage her to write me more scenes, which she was graceful enough to listen to my...needs.

In 1992 NBC decided to cancel SB. Is it true that at the last time NBC gave six months of life to the show and then they deleted it?

I don't remember how it went down. I do know that it was on the bubble when I first came on, and that NBC was extending it 6 months at a time. So, as far as giving us 6 more months and then cancelling, it sounds plausible but I don't recall.

You starred on the last episode of SB. What are your memories of it ? There were actors like Jed Allan, Judith McConnell, Nancy Grahn, Robin Mattson and Nicolas Coster who were on the show from the beginning (or almost). What was their mood? I was not very pleased with the final because it was a bit away from the ironic style of SB. And then not even a mention to Eden and Cruz!

The last three or four episodes were shot on location in Laguna Beach at the Ritz-Carlton hotel. My story line was closed out before the last episode, but I was in it. I remember dancing with Paula. Since it was a location shoot I think we all felt like we were on vacation, so though there were tears, I don't think it was as emotional as when we shot our last episode in studio a week before.


In the USA “Santa Barbara” always remained in the bottom of the rankings ratings. In the rest of the world and especially in Europe it has had excellent ratings. Furthermore, despite having low ratings, it has been the most award-winning soap and still there are dozens and dozens of sites dedicated to this soap, unlike the others soaps cancelled. How do you explain this different reception?

I am not really a watcher of soap operas. It's difficult to compare them. I think for most Europeans that SB was familiar to them. It has the disparity of the classes, Rich moguls and scions and the others struggling to live in their shadow. The set design was familiar, old Spanish style architecture, as the real Santa Barbara was built when Spanish architecture was in revival in California, which is reminiscent of old Europe. And somehow the humor and circumstances struck a chord as well. But I don't know why it didn't catch on here in the States. New soaps never caught on on any network, no matter how hard they tried. Unless you began by the early 1970's, it seems you were doomed for cancellation. I wish it were not so.

This interview is designed primarily for the Italian public. In our country, “Santa Barbara” was very much loved and followed. Do You want to say something to the Italian public who loved your and our Ted Capwell?

I miss SB as much as you do. Good luck. It was fun thinking about those times again!


CHI E' COLLEGATO?