Mary Duvall on "Santa Barbara"
Harley J. Kozak starred in movies such as Necessary
Roughness, The Favor, Parenthood, Arachnophobia, All I Want for
Christmas and the soap operas Texas (from November 1981 to
December 1982 as Brette Wheeler), Guiding
Light (from 1983 to 1985 and a one day voice over in February 1990, as
both Annabelle Sims Reardon and
Annabelle's deceased mother, in 1983 flashbacks, Annie Sims) and Santa Barbara (from 1985 to 1986 and
again in 1989, as former nun, Mary Duvall
McCormick). In Santa Barbara her
character died in an accident where a giant neon letter "C" toppled
on top of her during an argument atop the Capwell hotel. Viewers were so angry
over Mary's death that they started a letter-writing campaign demanding for her
reappearance. The show received such huge amounts of letters that eventually
they admitted their mistake and asked Kozak to come back. She declined the
offer since she was already working with other projects and she was proud of
the unusual way her character had made her exit. In February 1989, though, she made
a brief return as an angel in Heaven. In 1987 Harley received a Soap Opera Digest Award from her role as
Mary. Kozak has written five novels: Dating
Dead Men (2004), Dating Is Murder : A
Novel (2005), Dead Ex (2007), and
A Date You Can't Refuse (2008) all of
which feature greeting card designer and amateur sleuth Wollie Shelley, a woman
with very eccentric friends and family. The first three novels were published
by Doubleday, a division of Random House, the most recent was
published by Broadway Books following
the restructuring of Doubleday. Dating
Dead Men won an Agatha Award, an Anthony Award, and a Macavity Award for best first novel.
Kozak’s fifth book is Keeper of the Moon,
a paranormal romantic suspense novel.
You came to SB in June 1985 and you left the show in July 1986. How did you come to SB? Can you tell us about your audition? What they told you about the character of Mary?
I auditioned while I was still living in NYC. They
flew me to LA and told me Mary was a nun and by the time I returned to NYC, I
think I had the job. I moved to LA that very week.
Tricia Cast (Christie), Grace Zabriskie (Theda) and Kozak |
I believe that Mary was the moral conscience of the show. When she came to
SB she was still a nun, her sister Christy was raped and Ted Capwell was
accused of this crime. I remember that Mary, during an outburst of anger, said that
she would have liked to see Ted died for this. And she enter into moral crisis,
because her feelings were not conform to what you would expect from a nun. Mary
is assuming its responsibilities and that is enough to call into questioned her
path. And of course she is falling in love with Mason ... A very nuanced
character! How the character was received by the public? And by you?
I always had a great time with Mary. I was raised
Catholic and had my own issues with faith and leaving the church, so I could
relate to Mary's struggles. And the public seemed to love her from the
beginning, which is no doubt due to the great writing on the show.
The love story of Mason and Mary was one of the most beautiful and most
troubled of SB. Breaking and conflict. Love and hate. Mary was pure, while
Mason was almost evil. Both were complicated, but attracted to each other. How
was it working with Lane Davies? Your chemistry was evident. Do you have any
funny story about ?
Kozak and Lane Davies (Mason) |
I just loved Lane, as did all the women of America
(and eventually, the world!) A true scholar, gentleman, and actor. It's funny,
but I never perceived Mason as being evil -- so I guess I'm more like Mary than
I realized! The only funny story I can recall is when I was on some wacky diet
and he tried to make me eat an apple during rehearsal, thinking my blood sugar
was low. I threatened to bite him if he didn't leave me alone. In fact, it's
possible I did bite him. He did forgive me, however.
Then suddenly they decided to kill Mary crushing her with a big C. How they explained it to
you? Can you tell us what do you remember of that last day on the set?
I was told they were cutting the budget and because I
was up for a raise, as I'd been there a year, it was decided that firing me
would be a great way to save money. I was fine with that. An actor doesn't
expect long-term employment on any job, and I was ready to get on with the rest
of my career and see what else was there for me besides soaps. All I recall of
the last day was how amazing the acting was, going on around me as I lay there
dead. It was enough to make me cry. Except that I was dead and thus not
supposed to cry.
Is it true that the year after they asked you to come back to the show? Did
they tell you how?
It was actually just a few weeks later that they asked
me to return. I thanked them and told them it was time for me to move on. If
I'd said yes, I'm sure they would have figured out some clever way to bring me
back -- perhaps as my own twin.
SB was created by the Dobsons. What are your memories of them? Is it true
that they were completely crazy?
I was hired by Mary Ellis Bunim and hadn't much
contact with the Dobsons, so I can't tell you about their mental state!
In 1989 you briefly came back to the set of SB as Mason’s guardian angel. How
it came to you?
I couldn't resist coming back for an episode or two --
I just didn't want to sign a new contract.
You've acted mostly with Lane Davies, Tricia Cast
(Christy), Todd McKee (Ted), A Martinez (Cruz) and Jon Lindstrom (Mark). Do you want to share with us your memories
about the relationship with these actors? How was it
working on the set of Santa Barbara?
Every actor you
mention was simply wonderful--the whole cast, in fact, was really special. It
was a joy to go to work every day.
Can you tell something more spicy: a few secrets on
SB? Was there some antipathy
between the actors? some tensions?
Well, you'll have to ask other people to discover the
ones who didn't like me, as they kept their dislikes to themselves! Unless,
perhaps, they were all talking about me behind my back and I didn't realize it.
I'm so sorry to disappoint you, but I was completely blind to any dramas and
feuds that might have been happening around me.
You
were on “Santa Barbara” at the same time of Robin Wright (as Kelly Capwell).
Which are your memories of her?
Robin was the most
beautiful, delightful and completely cool actress imaginable. One of the most
naturally beautiful women I've ever known. I loved her. I was very happy to see
her huge success post-soaps.
In the USA “Santa
Barbara” always remained at the bottom of the
rankings ratings. In the rest of the world and
especially in Europe it has had excellent ratings. Do people still contact you asking
about SB? What made SB so special?
I wasn't familiar with the show before working on it
because, ironically, soap actors rarely have time to watch soaps, even the ones
they're on. So my introduction to SB was during my audition. It's impossible to
say what combination of writing, acting, producing, directing and artistic
design made the show so special. I simply think of it as the "magic"
of theater (including television) and I have no explanation either for why it
was an "underachiever" in the U.S. but so popular overseas.
Which are your plans for the future?
I act very rarely now. I mostly write novels and raise
my children (I have 3; a daughter who is fourteen, and twins who are twelve, a
boy and a girl). I wouldn't say no to the right acting job, but my focus is on
being a mom, and it's hard to do that full-time from a movie set or sound
stage.
Kozak and Nic Coster (Lionel) in 2013 |
This interview is primarily designed for the Italian public. In our country
“Santa Barbara” was very much loved and followed. You've never been in Italy?
What do you know about our country? Do you want to say something to the Italian
public who loved Mary Duvall?
I love, love, love
Italy. Viva L'Italia! I have been several
times to Roma, Venezia, Firenze . . . it is the most lovely, friendly and
cultured country in the world. I would love to live there one day. “Mille grazie, mi
amici (perdona la lingua -- io non parlo molto l'Italiano in L.A.)” – (translation:
Thank you very much, my friends – forgive
my italian, I don’t speak italian very often in L.A.)
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